Constance: A Story of Early Plymouth, Patricia Clapp (1975)

I remember reading this when I was about 12, and it really marked my life. Twenty years later I still recall certain parts, although I had read it only once. In fact, I've just decided to order a copy for myself since I'll definitely want my students to read it, as well as my daughter whenever she's old enough and ready.

Constance is the story of a young English girl whose family sailed to Plymouth colony in 1620 and all the hardships they had to endure the first couple of years in the New World.  The sufferings, deaths, starvation, loneliness and even everyday events are described very accurately and vividly (including the Squanto and Indians episode), however it is still entertaining enough for adolescents to read and get involved in a very important American historical event. 

Highlander Unmasked, Monica McCarty (2007)

So, I started reading Monica McCarty's Highland Guard series last year, and so got into it that I decided to explore another one of her series, MacLeods of Skye Trilogy  since I was on a MMc binge. BIG MISTAKE.  Highlander Unmasked is the second book of the trilogy, and even though it's predecessor, Highlander Untamed, was lukewarm at best, this one was inferior in quality, in general.

But first of, I've gotta say that I REALLY DON'T UNDERSTAND why novels featuring Highlanders (OK, most romance novels in general) must have the hero's chest showing. Is that a pre-requisite? Is it in the book contract?

Alright, since I'm through with that, on to the story.

Tregaron's Daughter, Madeleine Brent (1971)

Contrary to what usually happens after reading a book after many years, this one certainly didn't disappoint, quite the opposite, actually, it has definitely stood the test of time!

Peter O'Donnell, aka Madeleine Brent

Before launching into the story, I'd like to talk a bit about the author, Madeleine Brent, who's real name was actually Peter O'Donnell.  The first time I discovered this, shortly after finding Tregaron's Daughter after so many years, I had wanted to read a little more about the writer since oftentimes one can understand their books after knowing a bit about their lives, and to my surprise, the 'she' was actually a 'he!' 

According to wikipedia, Peter O'Donnell was actually a lot more known for his Modesty Blaise series and not his gothic romantic novels.  My first question when I found about his identity was:  

Why did he decide to change his name to that of a woman?  

It is usually the opposite, right? The Brontes come to mind, as does George Elliot.  They obviously suffered from publishing issues due to being women in a repressed society, thus choosing to use pseudonyms, which brought on my next questions:

Was it so that he would be taken more seriously within the genre, as it is most definitely female dominated? 

It must have been a bit difficult for him with his colleagues during the 70's, particularly the male ones, when he launched this series at the urging of his publisher.  Let's face it, the romance genre in general isn't very respected as most people consider it chick-lit or some such demeaning categorization, and that's when women write it... I would imagine it was more difficult for men who demonstrated interest in this area, which leads me to the last question of all: 

Why did he allow his true identity to surface only after he finished his last novel, Golden Urchin?  I don't know, but it seems to me that the author's life was every bit as mysterious as that of his heroines, which ALWAYS seemed to have some undisclosed incident in their lives.

Back to the story:

The Tenant of Wildfell Hall, Anne Bronte (1848)

     After being a fan of  Charlotte Bronte's Jane Eyre for so many years, I never thought another book by another Bronte would have actually enthralled me just as equally, and on another level, perhaps even more so; but this was exactly what happened with The Tenant of Wildfell Hall.  

   Anne Bronte's surprising imagination and powerful narrative certainly caught my attention, especially considering the fact that she was a young, single woman in her twenties at the time this was written.  And not only young and single, but living in an isolated society in which her, along with her sisters and brother, created their own literary world, perhaps to escape the tediousness of living in a small town near the moors, perhaps out of simple genius. 

Celtic Storms, Delaney Rhodes (2012)

Source: From BookBub, free for Kindle.
Originally published in http://www.goodreads.com/review/show/528758074

What do you get when you have highlanders, lairds, clans, plaids, and shamans IN IRELAND? Well, you get Celtic Storms, of course! 

I've never read this author, and never will again, but it is obvious that she mixed up Scotland with Ireland, BIG TIME. Advice to the writer: whenever you write a story about some point in history, make sure the historical aspects pertain to a particular culture/country. You wouldn't for example, write about how the Nazis during WWII were based in China right? Come to think of it, perhaps you would! Hmmm... hope I haven't given the author any new book ideas! (shudder)

Katherine, Anya Seton (1953)

Before reading this book, I had never heard of Katherine Swynford and her lifetime lover-turned-husband John of Gaunt, both ancestors of the Tudors, so I became eager to read it, especially after reading the positive reviews on Anya Seton’s accurate historical research. 

Katherine de Roet was a young girl who grew up in a convent because her father and mother had passed away during the Black Death and her sister was taken to live as a lady in waiting to Queen Philippa of Hanualt, queen of England, because their father was a knight of her retinue.  As Katherine became of a marrying age, fifteen, she too was sent to the court since she didn’t wish to become a nun.